UWOpera’s version of Mozart’s Don Giovanni triumphs over the “every opera-is-boring” stigma and makes for a captivating performance. Directed by Western music professor Theodore Baerg, the Western community should take advantage of this opportunity to support the talent demonstrated by fellow students.

Although this Mozart opera first premiered in 1787, the plot is surprisingly provocative. The opera follows nobleman Don Giovanni on his womanizing escapades and depicts the plots of revenge on the suave protagonist by his latest female targets.

The opera is long but enjoyable. Featuring two separate casts, the hours of dedication to vocal training are obvious. Subtitles projected on a screen assist non-Italian audience members by clarifying dialogue.

Christopher Dunham’s on-stage charisma contributes to his remarkable performance in the lead role of Don Giovanni, and watching him strategize the seduction of females is thoroughly entertaining. His voice is soothing and sensual, and it’s easy to see why the female characters fall victim to his charm.

Adam Marostica steals the show as Leporello, Giovanni’s disapproving sidekick — his acting skills are equally as impressive as his singing voice.  Marostica twists humour into the lyrics with facial expressions and quirks.

Like Leporello, the female leads present their damsels-in-distress characters comically to appeal to today’s audience. Lines such as “I am dying!” to describe heartbreak are addressed with coy smiles at the excessive drama.

Lida Szkwarek especially stands out as Donna Elvira, an obsessive victim to Giovanni’s seduction. Her singing range continually impresses throughout the show — just when you think she’s reached her highest note, she tops it in the next song.

The character of Don Ottavio (Young Yi) is looped into the Giovanni hunt by his lover, Donna Anna. Despite proposing to his love countless times, Ottavio is always shut down. His unwavering dedication to the diva makes his character a little boring, but Yi’s beautiful voice redeems his character’s shortcomings.

Aesthetically, the costumes are elaborate and authentic. One of the few downsides of the show is the set, which fails to live up to the show’s otherwise high standards.

Overall, at a reasonable price and convenient location, Mozart’s Don Giovanni gives you more than your money’s worth.

Don Giovanni plays at the Davenport Theatre Feb. 6-7. Student tickets are $20, and are available in advance by calling Orchestra London at 519-679-8778.